I’m pleased to announce the spring 2017 lineup for Improbable Fictions! We’re organizing a wide variety of events this semester, including workshops on Shakespearean appropriations and two separate staged readings, one of Shakespeare and one of the early modern Spanish playwright Pedro Calderon. For the first four events, we ask that you RSVP to email@example.com to indicate your interest.
- Sunday, Jan 29th from 7:00 to 9:30pm, a cold reading workshop of Meredith Noseworthy’s What Vicious Loves. 301 Morgan Hall.
- Tuesday, Feb 7th from 7:00 to 9:30pm, a cold reading workshop of work by Diamond Forde. 301 Morgan Hall.
- Sunday, Feb 26th from 7:00 to 10:00pm, a staged reading of Meredith Noseworthy’s What Vicious Loves. 205 Gorgas Library.
- Thursday, Mar 30th from 7:30 to 9:30pm, a staged reading of Perdon Calderon’s Life is a Dream, directed by Deborah Parker (firstname.lastname@example.org). 205 Gorgas Library. Contact Deborah for details.
- Sunday, April 16th from 7:30 to 9:30pm, a staged reading of Shakespeare’s Antony and Cleopatra, directed by Annie Levy (email@example.com). 205 Gorgas Library. Contact Annie for details.
Finally, I’d like to note that the Hudson Strode Program in Renaissance Studies is thrilled to be hosting the American Shakespeare Center’s “Hungry Hearts Tour 2017” for two (FREE!) productions at the BAMA Theatre, February 10-11: The Two Gentleman of Verona and Romeo and Juliet.
Both performances begin at 7:30 (with pre-show music beginning at 7:00PM). These shows are free and open to the public. Seats will be available on a first-come, first-served basis.
This is a rare opportunity to see a longstanding, professional Shakespeare company perform free of charge (most of the host institutions are charging admission for ASC shows, but we are making them available to students, faculty, and members of the community for free to encourage as broad and large an audience as possible).
We have a dedicated webpage for the ASC shows: http://english.ua.edu/grad/strode/asc
The website includes more information about both performances as well as a brief history of the ASC and its unique, high-energy performance style based on Shakespeare’s original staging conditions.