Things that Work

Go home, 2020, you’re an apocalyptic cascade of oppressive systems freshly exposed (again) by a global pandemic, worldwide #BLM protests, and a corresponding surge in public conversations about Racial Justice and Disability Justice.

In other news, I haven’t been blogging in awhile. I have been active on Twitter (@nrhelms), and I’ve been quite busy with the turn to #PandemicPedagogy. Also, after eight long years, I am finally off the academic job market! I have luckily landed at Plymouth State University in New Hampshire as a Assistant Professor of British Literature. I cannot emphasize the luck of it all enough. The current state of employment in higher education is toxic, and collective action is needed now to avoid an apocalypse of higher ed. Or, as my new colleague Matthew Cheney put it recently:

What can we do? How might we reshape our feelings of powerlessness into a sense of possibility? How might some ideals survive?

https://finiteeyes.net/higher-ed/the-value-in-the-public-good/

In this space today I want to quickly count my academic blessings, the bits of work and conversation that are bearing fruit during this trying year.

First, thanks to support from PSU English and from the Open Learning and Teaching Collaborative at PSU, I’ve launched Intersectionality Talks, a new digital speaker series at PSU.

I’ll also be on the Saul O Sidore Lecture Series committee at PSU, where I especially hope to bring to bear my contacts in Racial and Disability Justice. There’s so much exciting, powerful work being done right now in #ShakeRace and #RaceB4Race, for instance!

I’ve restarted the official PSU English Blog, now called The Ellen Reeder (after the Ellen Reed House on PSU’s campus, home of English faculty offices).

I’m also active in the Disabled Academics Collective, a blog and mutual aid network for everyone in higher ed from undergraduates to faculty & staff to independent scholars. We run a Discord server that’s proving to be a great space for building community and swapping strategies. I’m also on the editorial and social media teams, so if you’re looking to publish something short on disability and higher ed, hit me up.

Finally, I’m working on OER materials for all of my courses at PSU on an ongoing basis. For the Fall of 2020, that means my Rethinking Medieval and Renaissance Literature and Currents in Global Literature courses are all online (including syllabi, assignments, most readings, and all student work). These are explicitly anti-racist and anti-ableist courses, and it’s ongoing work at the level of pedagogy, primary and secondary texts, and student assignments. Collaborative advice welcome, as always!

My goals in all this are straightforward: I want to channel my own rage into collective action; I want to showcase the excellent work of students and scholars in my orbit; and I want to focus on possibility.

So long, and thanks for all the fictions!

Tuscaloosa has been a wonderful home to me. I lived in Tuscaloosa from 2007 to 2019, earning my MA and then my PhD from the Hudson Strode Program in Renaissance Studies at The University of Alabama and then working as an Instructor for Team English. When my wife got a job at Kennesaw State University in 2017, I started commuting back and forth, finally living in Georgia full time in 2019 and 2020.

It’s been a long, rewarding thirteen years, and consistently the most valuable part of my professional and academic life has been Improbable Fictions.

I’m now in Plymouth, New Hampshire, where I’m starting work Monday as an Assistant Professor of British Literature at Plymouth State University. Improbable Fictions is far from over, but my part in it is now done. Prof. Elizabeth Tavares will be taking over IF after a hiatus to accommodate the ongoing global pandemic.

I’ll be maintaining this blog in perpetuity, but IF will have a new digital platform in the coming year. If you’d like to keep in touch with me, you can find me at nrhelms.org and on Twitter @nrhelms.

So long, and thanks for all the fictions!

IF presents Spring 2020

It’s a busy semester, so Improbable Fictions is concentrating its efforts on two performances this spring.

First off, we’ll be presenting a collection of scenes of and about teaching in early modern drama as part of the 2020 Hudson Strode symposium “The Future of Teaching Shakespeare.” Registration is closed for the symposium (we capped out at seventy attendees!), but our performance is free and open to the public. We’ll be reading these scenes at 7:30 pm on Friday, February 21st, 2020 at the Dinah Washington Cultural Arts Center. Pre-show music begins at 7:15 pm, and a Q&A will follow the approximately 50 minute performance.

Second, IF will present a staged reading of Shakespeare’s Richard III, cut and directed by Angeline Morris, at 6:30 pm on Wed, Mar 4th, 2020, also at the Dinah Washington Cultural Arts Center. Pre-show music begins at 6:00 pm. We’re partnering with Theatre Tuscaloosa’s SecondStage: Festival of One Acts, a collection of short plays that begins at 8:00 pm on March 4th and runs through the rest of the week. IF’s reading is free and open to the public. Tickets for the Festival can be purchased here.

Image of a boar eating a crown with the words "Richard III" in the background
Poster by Angel Green

Milton’s Paradise Regained!

On Wednesday, October 16th in 30 ten Hoor Hall, Improbable Fictions presents a staged reading of John Milton’s Paradise Regained.

7:30 pm show start, free and open to the public.

Sponsored by the Hudson Strode Program in Renaissance Studies, UA Dept. of English.

For more information, please visit improbablefictions.org and strode.english.ua.edu/.

Paradise Regained poster, final, Gustav Dore

IF presents Twelfth Night, Oct 2

And thus the whirligig of time brings in his revenges!

12 Night poster
Image: A Beach, perhaps the one Viola finds herself shipwrecked upon. Event details below.

On Wednesday, Oct 2, Improbable Fictions will present Shakespeare’s Twelfth Night, the first staged reading we performed back in 2010. An excellent way to start out our ELEVENTH season! The details:

Rude Mechanicals presents Measure for Measure

It’s that time of year when various actors’ fancies turn to Shakespeare. And the Rude Mechanicals is about to open its 17th season.

Measure for Measure poster

Our first show is very contemporary drama-comedy about power, corruption, and sexual assault, Measure for Measure, late comedy-drama of Shakespeare’s. Set in Vienna the story concerns the ruler of the city going on a vacation and putting the power of the law into the hands of Angelo, her assistant. Under the Duchess the city’s laws, especially concerning sexual activities, have not been enforced and Angelo is determined to right this wrong. However when he condemns a young man to die for impregnating his fiancée, his sister, Isabella, a novitiate at the convent, pleads with Angelo to show mercy to her brother, and Angelo gives her the price for that mercy: to give up her body in sin to Angelo. Very serious issues are brought forth, intermingled with Shakespeare’s comic fools, and his supreme language.

We will present Measure for Measure Wednesday-Saturday, May 29-June 1 down at the Park at Manderson Landing, lower level. Music begins at 7:30 and the play begins at 8pm. I have attached our poster. As before, it is FREE.

Then next month, Wednesday-Saturday June 26-29, we will bring you The Comedy of Errors, Shakespeare’s early (possibly earliest) very silly and quite dizzying laugh out loud comedy of two sets of twins on a collision course, based on an earlier comedy by the Roman, Plautus.  Same times and information.

We look forward to seeing all of you in the park (Or the Allen Bales Theatre if bad weather forces us indoors).

Steve Burch
Professor, Playwriting, Theatre History
University of Alabama, Dept. of Theatre and Dance

Early Modern Strangers, April 3

Early Modern Strangers poster final

On April 3, 7:30 pm, at the Dinah Washington Cultural Arts Center (620 Greensboro Ave, Tuscaloosa), Improbable Fictions will stage a selection of readings around the theme of strangers. Pre-show music begins at 7:00 pm. As always, IF events are free and open to the public.

Our inspiration piece for this event is Shakespeare’s monologue about immigration and empathy from the many-authored play Sir Thomas More. The play has gained a lot of attention in recent years, thanks in part to Sir Ian Mckellen, and we wanted to place this powerful passage in its early modern context, staging it alongside excerpts from Antony and Cleopatra, The Merchant of Venice, Midsummer Night’s Dream, Othello, The Tempest, and Titus Andronicus, as well as selections from medieval folklore, Mandeville,  and Brecht. Our hope is to start a conversation about what it means to be treated as a stranger in a strange land both then and now, and UA’s own Dr. Cordelia Ross will kick off a post-show Q&A with some thoughts from her own research on the subject.

We’re still gathering together readers for this event, so if you’re interested in taking part in an IF production, shoot me an email at nrhelms@ua.edu, or reach out to me on Twitter @nrhelms.

As always, IF productions are sponsored by the Hudson Strode Program in Renaissance Studies, part of The University of Alabama Dept. of English.

 

Resurgens presents The Changeling

2019changlingposter11x17ua (003)

The Strode Program is very excited to be sponsoring the Resurgens Theatre Company’s touring performance of The Changeling on Tuesday, February 26, 7:30PM, in the Allen Bales Theater here on campus.

For those of you unfamiliar with it, The Changeling is a fantastically dark, yet timely revenge tragedy that powerfully explores issues of sexual desire, betrayal, and madness.  This is a wonderful opportunity to see a professional production of a rarely performed masterpiece of the Jacobean stage right here on campus—don’t miss it!

Tickets for this event are *free* but must be reserved online through this link:  https://thechangeling2019.brownpapertickets.com

Please also feel free to spread the word to anyone who might be interested in the show!

A few notes:

  • Tickets are general admission
  • When you come to the performance, you will need to either 1) print out and present your ticket at the door OR 2) show the ticket on your phone at the door
  • Brent Griffin, Artistic Director of the Resurgens Theater Company will also be giving a public lecture prior to the performance on Tuesday, February 26 at 5PM in the Allen Bales Theatre, so please also plan to join us for that (no ticket needed for the lecture).
  • More information about the Resurgens Theatre Company can be found here: http://www.resurgenstheatre.org/About_Resurgens.html

Strode events, Spring 2019

We have an exciting slate of Strode-sponsored programs coming up this spring, compiled by program director and Hudson Strode Professor Michelle Dowd– please take note of these events and mark your calendars accordingly!   Thanks to the abundance of early modern performances and films on offer this semester, Improbable Fictions is temporarily shifting focus away from Shakespeare and toward less bardolized early modern playwrights: Margaret Cavendish, John Lyly, and Margherita Costa.
 
Sponsored Performances:
We are sponsoring three fantastic performances this spring in conjunction with EN667, The Shakespeare in Performance Practicum.  All three events are free and open to all members of the UA community.  A poster for the ASC shows is attached.  More details to follow!
  • American Shakespeare Center touring company performance of The Comedy of Errors, Friday, February 15, 7:30PM (pre-show music begins at 7:00PM).  Brock Recital Hall, Samford University, Birmingham. 
  • American Shakespeare Center touring company performance of The Winter’s Tale, Saturday, February 16, 7:30PM (pre-show music begins at 7:00PM).  Brock Recital Hall, Samford University, Birmingham. 
  • Resurgens Theatre Company touring performance of The Changeling, Tuesday, February 26, 7:30PM.  Allen Bales Theater, UA.
asc hand of time tour poster
Guest Speakers: 
We are excited to welcome the following guest speakers this spring.  All events are free and open to the public:
  • Brent Griffin, Artistic Director of the Resurgens Theater Company.  Tuesday, February 26.  Title TBA.  5PM in the Allen Bales Theatre (UA).
  • Wendy Wall (Northwestern University).  Thursday, March 28.  Title TBA.  5PM in 301 Morgan Hall.
Strode Film Series:
Please also check out the Strode Film Series schedule for the spring.  Note that some events will be held at the Bama theater, and others will be held on campus.  All shows are free and open to the public.  For more information, please visit the Film Series’ website: http://shakespearefilmseries.ua.edu/
  • Monday, January 28: Globe Production of The Duchess of Malfi.  Morgan 301, 7:30PM.
  • Monday, February 11. Warm Bodies.  Bama Theatre, 7:30PM.
  • Monday, March 25: Kozintsev’s King Lear.  Morgan 301, 7:30PM.
  • Monday, April 15:  Shakespeare in Love.  Bama Theatre, 7:30PM. 
Improbable Fictions:
Improbable Fictions is hosting several events this spring. The first three are for small groups and thus aren’t appropriate as a broad extra credit opportunity for students, but the last performance will be perfect for 200 level English courses and the like. If you’d like to participate or just come listen to the first three, please RSVP.
  • Wed, Jan 16, 6:30pm in 301 Morgan Hall, a cold reading of Margaret Cavendish’s The Convent of Pleasure, dramaturged by Chris Koester (cwkoester@ua.edu).
  • Wed, Feb 6, 6:30pm in 301 Morgan Hall, a cold reading of John Lyly’s Gallathea, dramaturged by Mark Hulse (mchulse@crimson.ua.edu). 
  • Wed, Mar 6, time TBA at the Strode House, a cold reading of Margherita Costa’s burlesque “ridiculous comedy” entitled The Buffoons (1641), translated by Jessica Goethals. The reading will be dramaturged by Deborah Parker (parkerburch@comcast.net). 
  • Wed, Apr 3, 7:30pm at the Tuscaloosa Cultural Arts Center (http://cac.tuscarts.org/contactus.php), a selection of staged readings we’re calling “Early Modern Strangers,” inspired by Shakespeare’s “The Stranger’s Case” from Sir Thomas More (check out Sir Ian McKellen’s reading). The event will include  respondents and a Q&A about immigration and crossing borders in the early modern period. Dramaturged by Nic Helms and Cordelia Ross (nrhelms@ua.edu, caross4@ua.edu).
We’ve still got room for participants for all shows, so feel free to reach out to Nic Helms (nrhelms@ua.edu) or any of our directors if you’re interested!
 
Please mark your calendars for these events, and stay tuned for additional announcements and updates!!!
if-social-banner
And, if you aren’t doing so already, please follow us on Facebook and Twitter: “Hudson Strode Program in Renaissance Studies” (FB); @hudstrode (Twitter); and @improbfictions (Twitter).

IF Fall 2018

IF Fall 2018

Improbable Fictions is hosting three events this fall:

· Wednesday, Sep 12, 7:30 pm, Medieval Medley, a staged reading of several Medieval plays, including works from Hrotsvitha and the Chester Cycle, at 205 Gorgas Library

· Wednesday, Oct 17, 7:30 pm, a staged reading of Shakespeare’s Othello at the Tuscaloosa Cultural Arts Center (http://cac.tuscarts.org/contactus.php)

· Friday, November 2, 5:00 pm, Improbable Fictions will present an array of American Literature readings as part of First Friday Art Walk in Downtown Tuscaloosa and the Southern Literary Trail’s Exhibit of the Steve Soboroff Typewriter Collection. On display will be George Bernard Shaw’s typewriter along with others used by Truman Capote, Tennessee Williams, Ernest Hemingway, Gore Vidal, Ray Bradbury, Tom Hanks, Maya Angelou, and John Lennon. The readings and exhibit will be at the Tuscaloosa Cultural Arts Center (http://cac.tuscarts.org/contactus.php).

As always, if you’re interested in getting involved, leave a comment or email me at nrhelms@ua.edu!