Samson Agonistes, Seen and Heard

If you missed our October 2017 performances of John Milton’s Samson Agonistes, fret not! We have photographs for you, the adapted text we used, and full audio. Enjoy! Audio from Oct 9, 2017, in 301 Morgan Hall, Tuscaloosa   Audio from Oct 13, 2017, at the Doubletree Hotel, Birmingham   The text: Samson Agonistes, adaptation, OctContinue reading “Samson Agonistes, Seen and Heard”

IF presents Titia Andronica

If you missed our staged reading on Sep 21, fear not! You can find the audio from the event here: Apologies for the background noise at the start. It dies down once the performance begins. On Thursday, Sep 21 at 7:30pm, at the Dinah Washington Cultural Arts Center, Improbable Fictions will present a staged reading ofContinue reading “IF presents Titia Andronica”

Audio from Calderon’s *Life is a Dream*

If you missed last Thursday’s performance of Calderon de la Barca’s Life is a Dream, fret not! Here you’ll find the program, the script, and an audio recording of the event. Enjoy! LIFE IS A DREAM edited by Deborah Parker “Are all glories like dreams-the true ones taken to be false, and the false ones, toContinue reading “Audio from Calderon’s *Life is a Dream*”

As You Like It!

Improbable Fictions presents a staged reading of Shakespeare’s As You Like It on Thursday, December 4th, 7:30pm, at the Dinah Washington Black Box Theatre. The reading is directed by Deborah Parker, assistant directed by Jacob Crawford, and the cast includes students and faculty from UA and members of the Tuscaloosa community. If you missed our show,Continue reading “As You Like It!”

Audio for Richard III

Here you can find a partial recording of October 1st’s staged reading of Richard III, as well as the Richard III, cut. The recording starts with pre-show music, and the performance proper starts at minute 29. Unfortunately, due to the size of the original audio file and the size of the memory card I wasContinue reading “Audio for Richard III”

Spring 2014 in Review: Comedy of Errors, audio and text

The spring semester is winding down, and it’s time for me to recap IF’s recent work. February’s reading of The Merchant of Venice, directed by Deborah Parker, was a complete success: great performances, great adaptation, great audience. February’s snowpocalypse and subsequent school cancelations forced us to move the show back by two weeks, however, and alsoContinue reading “Spring 2014 in Review: Comedy of Errors, audio and text”